by: Massimo Gambardella
* A legacy of the past century - the defeat and the loss of so many-isms that have marked the course - seemed to have departed from the totalitarian system, fully capable of structuring the company's vision, proposing models absolute, complete, ready to offer an answer for everything and all, veritable panacea for all evil systems based on a hypothetical and misinterpreted idea of \u200b\u200bsolidarity for the group of humble service to the supreme destiny.
This awareness, largely established by scientists and even noticeable more so in times of great uncertainty, not cleared for more concrete the chance to discover more, both in wilderness as well shores battered by 'business with people, "strange and unusual patterns of thinking, all children of a secular religion That no grant is not what matters. One example is the spiaggismo, articulated world view that has found concrete expression in a form of absolutely unknown to the conscious artistic circuits, but, nonetheless, able to sit in the ashes, sorry, under the dust of the Amalfi Coast , ready to head and make itself heard and to discuss, for years, in the months when most calls, the scorching sun the bill. Sole interpreter, as well as creator, is that Nico D'Auria, a rare local craftsman, who never misses an appointment with the audience of faithful fans and lovers of his art. The
spiaggismo since its etymology reveals the source of seafaring, maybe - we can support right now - Merchant: meeting places has precise, neat paths of expression, light moments of the event.
is the undiscovered by a large group of artists while he attended or attends the Amalfi Coast, a unique way of relating to what is the inspiration behind the great sea, to give form and answer - according to the techniques of carving or stain, or the nuance of ceramics - the most concrete passionate lovers' questions.
And this is the first essential aspect that we must leave for a correct reading of our work. It in fact originates from the people and especially for the people, nothing by giving stimuli are purely spiritual soul in deep stress. It is a strongly time essentials to the most concrete practice, without convoluted mental abstractions in themselves, is an art that speaks the language of its practitioners, is open to stimuli, to the urgent - it seems - of interest to visitors places.
Nico is the artist of the people, ready to satisfy its users: from this point of view is an apostle of feedback, the continuous feedback with his audience, and is, in essence, a worthy son of the communication society.
And in this almost morbid attention to the other, finds a way to manifest itself even deeper than the figure of his work: suffering. In a recent interview, the teacher testified that his "art is sad, to pack all the drama of a man forced to play a vile work, unable to engage in any other." With these words, D'Auria confirmation, if proof were needed, to be fully present to himself, aware that he is unable to steal a role that has been sewn on. "The artist wants to go far, wants to escape from this condition ... but dramatic life, as someone said: this is a prison with no gates ... it is difficult to get out of this shell. "This moving testimony summarizes the bitter fate of a man, Ulysses, which has been deprived of the opportunity to satisfy the most daring and miraculous qualities given him : the thirst for knowledge. Nico would like but can not be caged in a role, but in this role that has demonstrated its sensitivity. ulysses and his repressed, coerced, to determine his art: "We grow throughout life in the hope of escape (an escape from busy finding safe voltage, you should add), but for now we will be content to transmit to others what we learn. "In these words, it captures the fate of those who, despite everything, is a prophet in his own: his desire to escape is not satisfied, paradoxically, the success of his art, is the fortune of his own patrons. Without this prison, there would be "prophecy", or prophet, but only an unbridgeable gap. His message, of course also the son of the stimuli, the stress of others, the example of teachers who have opted for other more conventional routes - as well as the artist himself to acknowledge this debt - its message, they said, would not be be the same elsewhere, on other shores, other banks. Nico kissed shores and if you love one day will no longer do so, decide whether to find out the answers, will the whole town to "mourn" the departure. Nico propose him as few others, so dark and troubled times, a certainty, a model: LISTENING. His proposal is worthy of the daughter of Greek xenia memory that has deeply imbued these lands ever since the ancestors of our civilizations met. His
spiaggismo is a totalizing system, a proposal for the new century.
A manifest existence. *
professor in literary
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