The Dr. Collevecchio , inside perspective to raise awareness of psychology and psychological well-being, has been a consultant for an article that appeared in Ladies' Silhouette .
Monday, August 31, 2009
Wednesday, August 19, 2009
New Skates Stop Tongue Bite
free from any injury
to: Antonio mothers *
"Warning to the artist who is also intellectual. He is an artist that does not fit. "(Francis Scott Fitzgerald)
The artistic and human Nico D'Auria exemplary and is configured similar to that of many other Italian artists, who contribute to create an art that knows how to enhance, in this 'age of profound change, both daily life, sometimes characterized by a deep malaise, is the' image of a company that creates a new iconography evolved suitable to represent it. The symbolic suggestions, but especially the eclectic mind of the artist ', setting the path on which is grafted his research, focusing on many aspects, even as the subjects dealt with, without the evocation dispense with other styles. The consistency and the variety of production of D'Auria is such that we are allowed, here, give only a brief statement: it deserves and requires, in fact, a long and careful study, we hope can take place as soon as possible. We will limit ourselves then, on the occasion of this his debut, a first analysis of what he has gained in twenty-five years, the city that has seen him be born, live and grow artistically. Stressing here, albeit briefly, as its rise this culturally (through many significant experiences abroad), represent the same and the same road traveled, not only from an anonymous crowd of Italians but also to a number of different artists. Some of them have had the privilege to confront him right on his own ground.
The same choice to live in his Minor, a country so troubled and difficult, it makes the experience of an exemplary attitude atypical for the era in which we live, a time when intellectuals and cultural figures prefer to gain experience in contexts more fruitful, the most dynamic and engaging. Equally important, albeit seemingly less impressive, are the testimonies of life and pictures, some of which offer many insights, the company that he is the protagonist. And it is important for me to stress how his works reflect his moods, an art that has all that baggage of suffering, tied to a real existential drama, the drama of a genius forced to live a series of experiments strongly restraining his thinking.
should also be stressed that this suffering is felt even more if you think back to a past certainly much more challenging, many times we got to enjoy his anecdotes relating to the teeming 80s to the low 90s and depressing day in the life of many our fellow citizens. From his utterances often comes out a picture of the society they live in very colorful capture the impression that all is to be in front of an artistic genius surrounded by indigenous communities for him, I dare say a stranger, albeit deeply studied and analyzed in its various forms and expressions. The long-awaited summer minores, now a meeting place for artists, intellectuals, politicians, for the most original part of the Agro Nocerino sarnese and Neapolitan men who help to create a culturally rich, fertile and lively, and it is this ground that the D'Auria is the lifeblood to create his masterpieces. Al D'Auria not escape anything in this animated coming and going: an eye, his, detached but not foreign, full of curiosity, which led him to reflect on all aspects of small city, cosmopolitan and sea at the same time. And so the water games, sellers of fish, colorful fishing boats on the pier, the elegance of the rich man and the gestures of ordinary folk, everything is captured by his great skill as an observer. A universe, however, changed radically with the beginning autumn, leaving a void filled only artist in the soul of that anguish which is perhaps, however, his true happiness.
The exhibition "Introspection", wants to be an opportunity to appreciate the creative genius of a man that surely reflects the limitations of cultural and social community in which he lives, that limit can easily be resolved due to its eclectic style and its confusing (as he calls it). The result is a fresh and lively "movie" of his era, free from all prejudices both the social and stylistic representation faithful to its spirit.
So an artist says a lot but probably have just said.
* Doctor of medieval history, President of the Center for culture and history "Pompeo Trojan 
to: Antonio mothers *
"Warning to the artist who is also intellectual. He is an artist that does not fit. "(Francis Scott Fitzgerald)
The artistic and human Nico D'Auria exemplary and is configured similar to that of many other Italian artists, who contribute to create an art that knows how to enhance, in this 'age of profound change, both daily life, sometimes characterized by a deep malaise, is the' image of a company that creates a new iconography evolved suitable to represent it. The symbolic suggestions, but especially the eclectic mind of the artist ', setting the path on which is grafted his research, focusing on many aspects, even as the subjects dealt with, without the evocation dispense with other styles. The consistency and the variety of production of D'Auria is such that we are allowed, here, give only a brief statement: it deserves and requires, in fact, a long and careful study, we hope can take place as soon as possible. We will limit ourselves then, on the occasion of this his debut, a first analysis of what he has gained in twenty-five years, the city that has seen him be born, live and grow artistically. Stressing here, albeit briefly, as its rise this culturally (through many significant experiences abroad), represent the same and the same road traveled, not only from an anonymous crowd of Italians but also to a number of different artists. Some of them have had the privilege to confront him right on his own ground.
The same choice to live in his Minor, a country so troubled and difficult, it makes the experience of an exemplary attitude atypical for the era in which we live, a time when intellectuals and cultural figures prefer to gain experience in contexts more fruitful, the most dynamic and engaging. Equally important, albeit seemingly less impressive, are the testimonies of life and pictures, some of which offer many insights, the company that he is the protagonist. And it is important for me to stress how his works reflect his moods, an art that has all that baggage of suffering, tied to a real existential drama, the drama of a genius forced to live a series of experiments strongly restraining his thinking.
should also be stressed that this suffering is felt even more if you think back to a past certainly much more challenging, many times we got to enjoy his anecdotes relating to the teeming 80s to the low 90s and depressing day in the life of many our fellow citizens. From his utterances often comes out a picture of the society they live in very colorful capture the impression that all is to be in front of an artistic genius surrounded by indigenous communities for him, I dare say a stranger, albeit deeply studied and analyzed in its various forms and expressions. The long-awaited summer minores, now a meeting place for artists, intellectuals, politicians, for the most original part of the Agro Nocerino sarnese and Neapolitan men who help to create a culturally rich, fertile and lively, and it is this ground that the D'Auria is the lifeblood to create his masterpieces. Al D'Auria not escape anything in this animated coming and going: an eye, his, detached but not foreign, full of curiosity, which led him to reflect on all aspects of small city, cosmopolitan and sea at the same time. And so the water games, sellers of fish, colorful fishing boats on the pier, the elegance of the rich man and the gestures of ordinary folk, everything is captured by his great skill as an observer. A universe, however, changed radically with the beginning autumn, leaving a void filled only artist in the soul of that anguish which is perhaps, however, his true happiness.
The exhibition "Introspection", wants to be an opportunity to appreciate the creative genius of a man that surely reflects the limitations of cultural and social community in which he lives, that limit can easily be resolved due to its eclectic style and its confusing (as he calls it). The result is a fresh and lively "movie" of his era, free from all prejudices both the social and stylistic representation faithful to its spirit.
So an artist says a lot but probably have just said.
* Doctor of medieval history, President of the Center for culture and history "Pompeo Trojan
Sunday, August 16, 2009
Most Painful Type Of Underwear
The "spiaggismo," a '(hallucinatory) The interpretative hypothesis
by: Massimo Gambardella
* A legacy of the past century - the defeat and the loss of so many-isms that have marked the course - seemed to have departed from the totalitarian system, fully capable of structuring the company's vision, proposing models absolute, complete, ready to offer an answer for everything and all, veritable panacea for all evil systems based on a hypothetical and misinterpreted idea of \u200b\u200bsolidarity for the group of humble service to the supreme destiny.
This awareness, largely established by scientists and even noticeable more so in times of great uncertainty, not cleared for more concrete the chance to discover more, both in wilderness as well shores battered by 'business with people, "strange and unusual patterns of thinking, all children of a secular religion That no grant is not what matters. One example is the spiaggismo, articulated world view that has found concrete expression in a form of absolutely unknown to the conscious artistic circuits, but, nonetheless, able to sit in the ashes, sorry, under the dust of the Amalfi Coast , ready to head and make itself heard and to discuss, for years, in the months when most calls, the scorching sun the bill. Sole interpreter, as well as creator, is that Nico D'Auria, a rare local craftsman, who never misses an appointment with the audience of faithful fans and lovers of his art. The
spiaggismo since its etymology reveals the source of seafaring, maybe - we can support right now - Merchant: meeting places has precise, neat paths of expression, light moments of the event.
is the undiscovered by a large group of artists while he attended or attends the Amalfi Coast, a unique way of relating to what is the inspiration behind the great sea, to give form and answer - according to the techniques of carving or stain, or the nuance of ceramics - the most concrete passionate lovers' questions.
And this is the first essential aspect that we must leave for a correct reading of our work. It in fact originates from the people and especially for the people, nothing by giving stimuli are purely spiritual soul in deep stress. It is a strongly time essentials to the most concrete practice, without convoluted mental abstractions in themselves, is an art that speaks the language of its practitioners, is open to stimuli, to the urgent - it seems - of interest to visitors places.
Nico is the artist of the people, ready to satisfy its users: from this point of view is an apostle of feedback, the continuous feedback with his audience, and is, in essence, a worthy son of the communication society.
And in this almost morbid attention to the other, finds a way to manifest itself even deeper than the figure of his work: suffering. In a recent interview, the teacher testified that his "art is sad, to pack all the drama of a man forced to play a vile work, unable to engage in any other." With these words, D'Auria confirmation, if proof were needed, to be fully present to himself, aware that he is unable to steal a role that has been sewn on. "The artist wants to go far, wants to escape from this condition ... but dramatic life, as someone said: this is a prison with no gates ... it is difficult to get out of this shell. "This moving testimony summarizes the bitter fate of a man, Ulysses, which has been deprived of the opportunity to satisfy the most daring and miraculous qualities given him : the thirst for knowledge. Nico would like but can not be caged in a role, but in this role that has demonstrated its sensitivity. ulysses and his repressed, coerced, to determine his art: "We grow throughout life in the hope of escape (an escape from busy finding safe voltage, you should add), but for now we will be content to transmit to others what we learn. "In these words, it captures the fate of those who, despite everything, is a prophet in his own: his desire to escape is not satisfied, paradoxically, the success of his art, is the fortune of his own patrons. Without this prison, there would be "prophecy", or prophet, but only an unbridgeable gap. His message, of course also the son of the stimuli, the stress of others, the example of teachers who have opted for other more conventional routes - as well as the artist himself to acknowledge this debt - its message, they said, would not be be the same elsewhere, on other shores, other banks. Nico kissed shores and if you love one day will no longer do so, decide whether to find out the answers, will the whole town to "mourn" the departure. Nico propose him as few others, so dark and troubled times, a certainty, a model: LISTENING. His proposal is worthy of the daughter of Greek xenia memory that has deeply imbued these lands ever since the ancestors of our civilizations met. His
spiaggismo is a totalizing system, a proposal for the new century.
A manifest existence. *
professor in literary 
by: Massimo Gambardella
* A legacy of the past century - the defeat and the loss of so many-isms that have marked the course - seemed to have departed from the totalitarian system, fully capable of structuring the company's vision, proposing models absolute, complete, ready to offer an answer for everything and all, veritable panacea for all evil systems based on a hypothetical and misinterpreted idea of \u200b\u200bsolidarity for the group of humble service to the supreme destiny.
This awareness, largely established by scientists and even noticeable more so in times of great uncertainty, not cleared for more concrete the chance to discover more, both in wilderness as well shores battered by 'business with people, "strange and unusual patterns of thinking, all children of a secular religion That no grant is not what matters. One example is the spiaggismo, articulated world view that has found concrete expression in a form of absolutely unknown to the conscious artistic circuits, but, nonetheless, able to sit in the ashes, sorry, under the dust of the Amalfi Coast , ready to head and make itself heard and to discuss, for years, in the months when most calls, the scorching sun the bill. Sole interpreter, as well as creator, is that Nico D'Auria, a rare local craftsman, who never misses an appointment with the audience of faithful fans and lovers of his art. The
spiaggismo since its etymology reveals the source of seafaring, maybe - we can support right now - Merchant: meeting places has precise, neat paths of expression, light moments of the event.
is the undiscovered by a large group of artists while he attended or attends the Amalfi Coast, a unique way of relating to what is the inspiration behind the great sea, to give form and answer - according to the techniques of carving or stain, or the nuance of ceramics - the most concrete passionate lovers' questions.
And this is the first essential aspect that we must leave for a correct reading of our work. It in fact originates from the people and especially for the people, nothing by giving stimuli are purely spiritual soul in deep stress. It is a strongly time essentials to the most concrete practice, without convoluted mental abstractions in themselves, is an art that speaks the language of its practitioners, is open to stimuli, to the urgent - it seems - of interest to visitors places.
Nico is the artist of the people, ready to satisfy its users: from this point of view is an apostle of feedback, the continuous feedback with his audience, and is, in essence, a worthy son of the communication society.
And in this almost morbid attention to the other, finds a way to manifest itself even deeper than the figure of his work: suffering. In a recent interview, the teacher testified that his "art is sad, to pack all the drama of a man forced to play a vile work, unable to engage in any other." With these words, D'Auria confirmation, if proof were needed, to be fully present to himself, aware that he is unable to steal a role that has been sewn on. "The artist wants to go far, wants to escape from this condition ... but dramatic life, as someone said: this is a prison with no gates ... it is difficult to get out of this shell. "This moving testimony summarizes the bitter fate of a man, Ulysses, which has been deprived of the opportunity to satisfy the most daring and miraculous qualities given him : the thirst for knowledge. Nico would like but can not be caged in a role, but in this role that has demonstrated its sensitivity. ulysses and his repressed, coerced, to determine his art: "We grow throughout life in the hope of escape (an escape from busy finding safe voltage, you should add), but for now we will be content to transmit to others what we learn. "In these words, it captures the fate of those who, despite everything, is a prophet in his own: his desire to escape is not satisfied, paradoxically, the success of his art, is the fortune of his own patrons. Without this prison, there would be "prophecy", or prophet, but only an unbridgeable gap. His message, of course also the son of the stimuli, the stress of others, the example of teachers who have opted for other more conventional routes - as well as the artist himself to acknowledge this debt - its message, they said, would not be be the same elsewhere, on other shores, other banks. Nico kissed shores and if you love one day will no longer do so, decide whether to find out the answers, will the whole town to "mourn" the departure. Nico propose him as few others, so dark and troubled times, a certainty, a model: LISTENING. His proposal is worthy of the daughter of Greek xenia memory that has deeply imbued these lands ever since the ancestors of our civilizations met. His
spiaggismo is a totalizing system, a proposal for the new century.
A manifest existence. *
professor in literary
Thursday, August 13, 2009
Visiting Inmates In Rikers
spiaggismo (cultural manifesto)
Long is the winter night, but even harder to 'summer afternoon.
Endless waiting, along the shore of the coast (the drift of life).
crossed us sleepless nights to mature young utopian thoughts. Together
give birth to the idea of \u200b\u200bescape.
From this beach on which we are imprisoned, condemned to exile culture, mired in the filth of the neighborhood, away from any discussion of thick, melancholic but not surrender, we feel the inconvenience of finding out the size that is consistent.
Spiaggisti us. The
spiaggismo: awareness of our earthly misery.
A prison without bars where we were born without sin and imprisoned by which we ask forgiveness, redemption and salvation. The
spiaggismo is our ideal of hope.
Our thought is capable of using all means and manners of artistic expression: literature, figurative art, poetry, prose, rambling, cinema and architecture.
spiaggisti We invoke the escape as a real solution to the problems and dilemmas of humanity. We
for the trip, the lack of spatial constraints, the absolute timelessness. We
nihilistic and self-sufficient, independent in thought and gesture. We
lightweight, flexible, doubtful.
We use the metaphor of power as a means of expression, the surreal irony as a means of struggle, we abhor the political speculation and the filth of the building. We
for the gesture over the top, out of necessity and vocation, so you also hear our voices so far distant.
grown to learn how to avoid suffering.
looking for pure pleasure: the word, mind and body.
We want to run away to be the center of the earth.
Where there are ears and brains to understand. We
spiaggisti, that's where we stand.
Christian De Iuliis (architect) 
Long is the winter night, but even harder to 'summer afternoon.
Endless waiting, along the shore of the coast (the drift of life).
crossed us sleepless nights to mature young utopian thoughts. Together
give birth to the idea of \u200b\u200bescape.
From this beach on which we are imprisoned, condemned to exile culture, mired in the filth of the neighborhood, away from any discussion of thick, melancholic but not surrender, we feel the inconvenience of finding out the size that is consistent.
Spiaggisti us. The
spiaggismo: awareness of our earthly misery.
A prison without bars where we were born without sin and imprisoned by which we ask forgiveness, redemption and salvation. The
spiaggismo is our ideal of hope.
Our thought is capable of using all means and manners of artistic expression: literature, figurative art, poetry, prose, rambling, cinema and architecture.
spiaggisti We invoke the escape as a real solution to the problems and dilemmas of humanity. We
for the trip, the lack of spatial constraints, the absolute timelessness. We
nihilistic and self-sufficient, independent in thought and gesture. We
lightweight, flexible, doubtful.
We use the metaphor of power as a means of expression, the surreal irony as a means of struggle, we abhor the political speculation and the filth of the building. We
for the gesture over the top, out of necessity and vocation, so you also hear our voices so far distant.
grown to learn how to avoid suffering.
looking for pure pleasure: the word, mind and body.
We want to run away to be the center of the earth.
Where there are ears and brains to understand. We
spiaggisti, that's where we stand.
Christian De Iuliis (architect)
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